When I was a kid, my mom (shoutout to my mom), found this catalog in the back of a Lego instruction booklet that let us call the Lego company and order little packages of specific Lego pieces.
This was a game-changer in our house.
Because whenever we got that big blue Lego bucket out, we were always on the hunt for those little fiddly pieces that were so hard to find. Joints. Hinges. Those little toggles that make the Lego people look like they’re using a joystick. All of them worth their weight in gold if you wanted to build a cool robot or a spaceship with a working hatch (which, as it happens, I often did).
This piece was written as a response to feeling that, most of my life in the arts, I’ve been made to feel that arts organizations and their products were not made for me and that it was an honor, a luxury, to even experience them. As a queer Mexican-Statesian who earned a Bachelor of Music, a Master of Arts in Arts Administration, and who now works in fundraising for an opera company, it seemed that no matter what art form I consumed or participated in, there was always this weird dichotomy that they wanted me because of the fact that I was queer, and/or brown, and/or young — but then they never made the effort to continue that relationship beyond that first visit or even because of that. 
The UK has had a foundational influence in building the problematic philanthropic and nonprofit sectors (Third Sector) in the US and other countries, which is why we are so happy to go straight to the source! Host Michelle Muri talks with Andy King and Tom DeFraine of UK podcast Fixing Fundraising! From topics like Captain Tom and the injustice of fundraising for government programs that should be funded by taxation, Brexit, the political nature of any nonprofit, dog whistles, the role of patronage in the UK, Prince Andrew’s fall from patronage, Prince Williams, a brief word about drones and fireworks, to the terrible practices the UK is adopting from the US…we promise you’ll chuckle or even laugh out loud! Yes, even in a pandemic. 
Hey, you’re still here! Usually, I say “metrics” and the room clears out. We’re already off to a great start.
Despite the never-ending deadlines and the new and glorious challenges of adult life, Gen Z are some of the most political and active members of our society. The police brutality that resulted in the death of George Floyd sparked mass protests across the world for the Black Lives Matter movement with Gen Z at the forefront. Similarly, around a month ago, university students across the UK took to the streets demanding for improved student well-being. 
I used to wear the title of ‘working professional’ with pride.
As a development director who loathes capitalism, I often feel very conflicted about my job. When I was young, I had big visions of making a positive impact on the communities I loved, and they certainly didn’t include asking those who hoard wealth to give back (what is often) an insignificant amount to marginalized communities in exchange for a tax deduction and a sense of superiority and white saviorism. 
In the throes of the holiday season last December, the careful balance between read and unread emails in my inbox was starting to take a turn. As I conducted my daily reckoning of my inbox, one message jumped out at me, demanding my immediate attention. It didn’t have a subject. 
In 2018 I started training with Coach Tricia Arcaro Turton at her boxing gym, Arcaro Boxing. It’s located at 1208 E. Jefferson St., in that weird zone where Seattle’s very white, used-to-be-hella-queer Capitol Hill neighborhood bleeds into the once-upon-a-time-hella-Black (historically speaking) and used-to-be-affordable Central District neighborhood. 
“I don’t help people. I provide tools for people least served by the system,” says Rima Green, Growing Gardens’ Lettuce Grow program director. A Portland-based nonprofit, Growing Gardens uses the experience of growing food in schools, backyards, and correctional facilities to cultivate healthy and equitable communities.
As an Autistic woman and as a fundraiser who has worked at a disability-focused nonprofit for almost 10 years, one of the first things I’m asked when I talk about my identity or the work that I do is, “Have you heard of [X nonprofit]? They work with people with disabilities.”